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Rodigan was born
of Scott/Irish parentage having
a Scottish father and an Irish
mother. His birthplace,
Germany, was to be his home for
the first four years of his
life. Being what is
colloquially known as an ‘army
brat’, Rodigan was raised in a
few countries where his father
was posted during his service
with the British Forces.
At aged 4, his
family relocated to North Africa
where the ensuing four years
found David living in Libya and
also Derna on the edge of the
Sahara desert being as he
recalls, “reared with the
Arabs”. His first glimpse of
England came at the age of 8
when his family moved to the
United Kingdom.
During his
formative years and into his
early teens, young Rodigan dwelt
in a small village in
Oxfordshire totally oblivious to
anything outside his own
culture, least all black music
and black people. He recalls
that during this time he “wasn’t
near a black community per se”
and his ambition in life was to
be a teacher, but although he
qualified in this field, the
call of the stage was too hard
to resist and he took up theatre
due to his Love of Shakespeare.
His aim was to become a member
of the royal Shakespeare Society
after 3 years of attendance at
the Rose Branford College of
Speech and Drama. On embarking
into the theatrical forum,
Rodigan began with some theatre
work in Sheffield, South
Yorkshire, and then moved onto
television appearances in shows
like “Sherlock Holmes” and “Dr.
Who”.
At the age of
approximately 15, Rodigan began
buying records leading up to his
first playing out date at age 16
in 1967. The first arena for
Rodigan’s DJ skill was a youth
club playing to teenagers like
himself. It was at this point
in his life in 1968 that he
acquired his well-known nickname
of ‘Ram Jam’. This name stemmed
from his signing on and signing
off at events with his signature
tune by Jackie Mittoo entitled
‘Ram Jam’.
After college,
Rodigan moved onto playing out
occasionally in, the North of
England until he got his break
into radio in 1978 doing a
weekly reggae show Sunday lunch-time
on BBC Radio London. Up until
this point, his love of reggae
music prompted him to learn more
about the people, the culture
and the musical genre itself.
His early influences included
the legendary Ska beat as he
recalls that “the music
fascinated me because it was
this driving beat” which was
unlike anything he’d ever heard
of before. When Rock Steady
made it’s appearance Rodigan
reminisces “I was a big fan of
Delroy Wildon. One of the most
significant records for me was a
song called “Dancing Mood” I
first heard that in 1967”.
As time
progressed, Rodigan moved on
from BBC Radio London in 1979
after being approached by
Capital Radio. His Saturday
night reggae show proved very
popular and then during the
early 80’s, he began doing links
with Jamaica, namely Barry
Gordon of Irie FM. 1998 saw
Rodigan move onto his current UK
radio slot with Kiss 100FM.
More recently, he has been
working on a New York radio
station called Irie Jam every
Saturday afternoon of which he’s
very enthusiastic saying it’s a
“half hour program and it’s
getting a very good response”.
Throughout his time on the
aforementioned radio stations,
one thing not widely known is
that Rodigan has also been
playing on British Forces radio
for the past 15 years. He tours
extensively with this and does
shows all over Europe including
Germany, France, Belgium,
Holland, Italy and Sweden.
Rodigan’s talents
are not restricted to radio play
as most people can attest to him
playing out in various areas,
specifically dancehalls and
nightclubs. In 1970 alongside
his oldest and dearest friend,
Donald Face yaks Papa Face,
Rodigan started a reggae club in
London’s West End called
‘Gossips’. He recalls it as
being “the longest running
residency in the West End of any
club” as they were a permanent
fixture for 19 years leaving in
1989.
Constantly evolving, Rodigan
continued juggling as a DJ, but in 1991 he entered the
specialist area of clashing whereby a DJ must use his verbal and
record selection skills to out-do his opponent in a dancehall
forum. By using dubplates, some specially created for the
event, and getting the crowd behind him, the DJ aims to come out
the winner based on crowd response. Most people thought Rodigan
had gone crazy when the first sound system he decided to
challenge was the legendary clashing sound system, Bodyguard.
In addition to him taking them on, he traveled to their turf of
May Pen in Clarendon, Jamaica. He fondly remembers “everyone
saying I was mad, but it was a dance no-one will ever forget. I
surprised a lot of people, but I took it from a fun point of
view”.
Since then he has been up
against some of the most notorious clashing sounds, not least
Ricky Trooper of Killamanjaro. However, their clash of 1967 was
not without it’s problems. The event was held in New York and
as far as Rodigan was concerned, he came out the winner, but his
opponent was not happy and he says “there were some racist
remarks near the end that was unnecessary”. After receiving an
apology from Trooper over the telephone, Rodigan always the
gentleman, accepted and put the issue behind him. Surprisingly,
he harbors no malice when asked who his hardest opponent in the
clash arena, he pinpoints Trooper and elaborates “he’s an
inspiring selector and has tremendous energy and commitment.
He’s a very tough nut to crack”.
All is not roses in the
musical genre he loves so much and he admits to disliking the
“negative aspects of some of it. Sometimes it seems obsessed
with violence and I think it’s negative”. However, he also sees
positive signs starting to come back into being and names some
of his favorite influences of today as Luciano and Morgan
Heritage.
One of his most memorable
experiences as a DJ stems from a dance in Bermuda on Horse Shoe
beach in 1995. A tranquil look comes over Rodigan as he
describes the atmosphere of “a full moon and thousands and
thousands of people on the beach”. So many people were there
that some had to get onto boats and moor them in the harbour of
the bay. As Rodigan signed on with Bob Marley’s “Natural
Mystic” he saw “about 6 or 7 thousand people on the beach put
lighters in the air” and sway from side to side. To Rodigan it
was one of the most moving experiences he’s ever had.
Rodigan has future projects
lined up including a syndication of the
radio program in New York.
Constantly evolving and
progressing, David Rodigan has had a significant input into the
reggae DJ arena spanning over 20 years. He is an inspiration to
up and coming DJ’s regardless of creed or colour as he’s a prime
example that the color of your skin makes no difference when it
comes to being a skilled DJ and having love for the music, the
people and the culture. No doubt, he will continue playing
music and fuelling his passion for reggae through various means,
but his last words sum up his humility, “I would really love to
say thank-you for the support. All I’m doing is sharing the
music. It’s a tremendous feeling to have people share that with
you. The message is thank-you, thank-you.